Composing an Obituary With Template, Tips and Msword Format

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21, 2012 Approaches, Scientists Note a Downturn in the Sun’s Energy

As December 21, 2012, the date marking the end of the Mayan Long Count Calendar Cycle, approaches, scientists are noticing a down turn in the Sun’s energy cycle, which they say may last from decades to longer than a century.

Observations of the Sun’s diminishing activity were reported at a June 14th meeting of the solar physic’s division of the American Academy of Science in Denver, Co.. Scientists submitted three separate studies. One study noted that a jet stream in the interior of the Sun is missing. A second study observed that the power of Sunspots is weakening and the normal 11 year Sunspot cycle is not proceeding towards a maximum as was expected. A third study found that the normal changes in magnetic flux around the Sun’s poles are not occurring as they normally do. Overall conference experts concluded that based on the three findings, dominations cheats tool they believe that that during the next century or longer, we may see a total absence of Sun spots and related Solar phenomena.

Scientists indicated that a 70 year stoppage in the 11 year sunspot cycle occurred in the 15th and 16th century, but the reasons for it and the current cycle slow down are unclear. Scientists also pointed out that during normal cycling, the new solar magnetic field pushes the old field off the solar caps, However, this is not happening and experts are unsure what effect this flux stoppage will have on our Earth’s climate.

The sudden and unexpected diminishing of solar activity gives pause for thought to Mayan Long Count calendar cycle experts who have made prophecies of doom about the end days of the cycle. Many authors and seers have predicted that catastrophic events will occur on the Earth at the end of the 5126 year cycle. Some of the most outlandish prophecies painted pictures of excessive Sun spot activity that would wreak havoc on the planet; they can be tossed into the trash. But the recent turn of events obligates scientists to at least take a moment to consider whether the alignment of the Sun with the center of the Milky Way at the time of the Winter Equinox could have anything to do with the unexpected change in Sun Spot activity. Since the Earth and Sun align with the Dark Rift and galactic center at least twice every year, a connection between that alignment and the Sun’s slow down does not seem scientifically connected.

Although no experts are yet advancing theories about a scientifically based connection between the current solar changes and the upcoming end of the Mayan calendar cycle, it is interesting if only from an aesthetic perspective, as both cosmic events serve to humble the Sun. The winter equinox is the shortest day in the year, when old Helios makes its tiniest appearance. The journey of the winter solstice Sun across the Dark Rift, a vast cloud of dust that sits between the Sun and the magnetic center of the Milky Way, begins next winter, and was likened in Mayan culture to the kicking of a soccer ball into a goal. What could be more demeaning to the otherwise dominant orb in our own sky than to liken it to a soccer ball being kicked around in a cosmic sports match? What’s more, the Dark Rift is called the gateway to the underworld. 30+ years hence, when the Sun emerges from its transition of the Dark electric kettle review Rift, it will, according to Mayan cosmology, be starting a new Sun world. The transition itself is a time when the old Sun is rejuvenated by the natural energy springing from the Dark Rift. Finally, just as this stellar event is about to unfold, the Sun’s own natural cyclic activity has begun to diminish.

The Mayans were wise in the ways of the Heavens, far ahead of their times, according to some. And maybe they knew even more than we imagine. This is what concerns people who speculate about the upcoming end of the calendar cycle. It makes us wonder, what unusual events the next year and 1/2 will portend.

Artist’s Integration: A Unique Blending

Artist’s Integration: A Unique Blending
The artist spins and blends ideas inasmuch as the concept of Spin Art portrays this process so vividly well. This surrealistic technique embodies an intrinsic abstractionism by splashing an array of color and hues upon a spinner, so that it may intricately design and manifest into its finished product! I offer this as a metaphor for the artist’s integration process since Impressionistic Art is clearly not rational. This modality stimulates infinite combinations that may be unusually expressed. It conveys an imaginative, eccentric quality that opens itself up to various interpretations, which is what makes it so very interesting.
We can learn about ourselves from art! One can reflect upon a single piece and suddenly find oneself entranced and touched so deeply. With this immersion may come a new idea, a poignant memory or personal realization that allows for subconscious integration to occur. From this, we growtopia cheats online hack know It is true that the artist works in mysterious ways!
One can personally benefit by allowing new neural pathways to emerge. This reflective process becomes both the cause and the effect. It is an integral aspect for the artist’s way so that his authenticity may spontaneously come through. When I say “reflective” I refer to any conscious and/or subconscious thought process that arises to produce novel ideas or linkages that offer new ways of seeing/ or being. Supportive information to consider, as noted in the article, ”Get Out of Your Head”, featured in Spirituality & Health magazine, August 2014, Dr. Dan Siegel speaks of mind as having both mental and relational qualities. There’s an integration that occurs that honors vast differences yet remarkably values the harmony of these differences, the so called blending. Even though our mind is not a tangible part of us, it is very real and plays out in relational ways in our everyday boom beach hack tool online lives.
Brain wiring and rewiring are about utilizing the artist’s emotionality and fostering integration so that it transforms emotionality into its own brilliant creativity. Ironically, although it may seem likely that positive emotions would lead to greater integrative activities and negative emotions would decrease integration, this is not actually true. Anxiety, anger or sadness per se, does not necessarily connote good or bad because they are quality indicators that serve as a pivotal threshold to move dormant energy towards creative expression.
In fact, artists’ anxiety is a very natural phenomenon that inevitably stirs creative juices within. This creative tension spirals through the aura field until its ready to transform and become manifest. In as much as paint is splashed on the canvas, the artist’s emotions move in a spiral of concentric circles that stir them to create a momentum for expression. Any emotion can be channeled and produce art that reflects an intensity of similar emotion. Have you ever observed a picture or piece of art and then felt an unusual strong emotional tugging? This is the hallmark feature that the artist has conveyed his message and accomplished his task!
When I myself get ideas for writing, they sometimes come in dribs and drabs, while at other times they seem to flow much more readily. When I consider the factors that influence this process, it becomes clearer to me that when I am fully present in my energy, feeling grounded in the now, I can integrate such ideas along their path more boom beach cheats tool fluidly. In many ways it is as if these ideas are born and then take on a life of their own!
As the artist knows, there’s no other choice but to follow this path. This is what makes it a unique calling! So, how does one follow the yellow brick road to find their own inner wizard? The process may oftentimes require that you also must meet your own inner demons (the blackness within) just as Dorothy has journeyed through hers in The Wizard of Oz. With the story’s end, she comes to learn that she always had an inner power all the while. She just needed to believe and truly know that she was able to use it. Likewise, we are all creative beings!
The beauty of Surrealistic Art is that it truly blends both the conscious and unconscious aspects of mind. The avant garde spirit liberates and transcends unconscious elements and brings them into harmony with an absurd reality of art. So the next time that you may be feeling strong emotion of one form or another, honor your experience! Allow and take notice to feel what you feel! These are the centrifugal forces of creation. These are the raw materials for amazing, awe-inspiring art!
You are the creator in your life so become inspired to create something amazing today!

Artist Spotlight: Philip Naviasky (1894-1936)

Hailing from Leeds originally myself, my ears ?or rather eyes, in this case, if such a thing were possible ?always prick up on mention of a Leeds artist. Philip Naviasky is one such, a prolific yet modest painter in oils, with the surprising accolade of being the youngest ever student to be accepted into the Royal Academy Schools, aged just eighteen. Leeds can now of course claim visit boom beach tool website Damien Hirst, Leeds bred (although not born), and many others can be poached via Leeds School of Art ?Henry Moore and Barbara Hepworth, for example, being Yorkshire natives educated at the city鎶?art college. But Naviasky is perhaps especially intriguing because so little is written about him, and because he was part of Leeds鎶?sizable Jewish community. I wanted to look into the artist鎶?contemporaries and possible influences, as well as what makes his paintings unique.

Philip Naviasky was born in Leeds to Polish immigrant parents. What we know of his biography is that he won a scholarship to the Leeds School of Art in 1907 at the age of just 13, before being admitted to the Royal Academy Schools. He gained a Royal Exhibition Award from the Board of Education for three years at the Royal College of Art, and dominations cheats tool went on to take up a post as art teacher at Leeds College of Art. He married Millie Astrinsky, the tailoress daughter of Lithuanian immigrants to Leeds, at the city鎶?New Central Synagogue in 1933. The couple had a daughter, Sonia, in 1934, who sometimes features in Naviasky鎶?portraits, and who became an artist in her own right.

Two better-known Jewish artists working at the same time as Naviasky were Jacob Kramer (1892-1962) and Mark Gertler (1891-1939). Kramer was a Leeds man, his family having emigrated from Russia when Jacob was aged just 8. His father had been a Russian court painter and his mother was a trained singer of Slavic and Hebrew folk songs. Kramer attended the Leeds School of Art, and later the Slade, and became involved in the radical organisation the Leeds Art Club. Kramer produced many portraits like Naviasky, with both artists painting many local figures whose identity is now unknown. Naviasky painted some gypsy portraits, and Kramer, always hard up despite his artistic success, would paint local figures for a small fee. The artists share a simplicity and robustness of line and form, which could possibly be associated with the influence of Eastern European folk art. Frances Spalding commented about Kramer鎶?work: 鎱ere is a quality in his art that remains defiantly Eastern European.?Mark Gertler, a London artist, the youngest son of Polish Jewish immigrants, similarly painted bold portraits and is said to have been influenced by folk art.

If we contrast Naviasky鎶?and Kramer鎶?treatment of the subject of a rabbi, however, it seems that Kramer engaged more with Jewishness as a theme. Naviasky鎶?portrait is of a real person, reportedly his father-in-law who was a rabbi in Leeds in the 1940s-50s, and his depiction naturalistic ?albeit with characteristically simple colouration and a block colour background. In contrast Kramer produced some highly stylised rabbi paintings.

Kramer and Gertler, in contrast to Naviasky, show influence of the Vorticist movement, and the de-humanising effect of such a style. (Kramer having been acquainted with William Roberts and others in the movement at the Slade). In Kramer鎶?work we see the rabbi figures become relegated to repeated symbols within a rhythmic pattern, and the atmosphere is sombre and ominous. Kramer鎶?portraits are far darker than Naviasky鎶? in colour and mood.

The joy of Naviasky鎶?work, indeed, is the colourfulness, the vibrant tones which leave an arresting impression of vitality and vogue. This treatment of colour extends into his landscape studies and still life oils. These paintings recall the shimmering vibrancy of the post-impressionists. Naviasky travelled widely, painting scenes, landscapes and portraits, in Spain, the south of France and Morocco. In a painting such as Street Scene, Seville, the warm luminosity of the planes of colour, despite their naturalism, evokes the atmosphere of the works of fauve artists Henri Matisse and Andre Derain.

This brings me to a final comparison that strikes me, between Naviasky鎶?work and that of the Scottish Colourists, a post-impressionist group of artists who worked with a highly developed sense of colour. FCB Cadell (1883-1937) produced elegant portraits of Edinburgh society, often co-ordinating the colour of the sitter鎶?clothing and with their backdrop to create a stylish composition. Compare one such portrait with Naviasky鎶?A la mode.

Or compare S.J. Peploe鎶?(1871-1935) Boy Reading, with Naviasky鎶?Girl Reading, both artists using black outlines to delineate areas of tone within their composition.

With little available information about Naviasky these comparisons are speculation and fancy, but nevertheless help illuminate the work of a artist only recently gaining the deserved recognition. It has been suggested that Naviasky鎶?decision to remain in Yorkshire was the reason for this slow emergence, his work unable to compete with boom beach cheats the more established reputations of London artists. But to me Naviasky鎶?modest identity is his charm.

Artist Spotlight: Discovering The Forgotten Frances Watt

Acquiring a body of work as substantial as that of Frances Watt, there would normally be a certain amount of readily available information about the artist. The internet, being the source for worldwide information on the most obscure subjects, places and people, could lead you to assume someone, somewhere will have written something. It is wholly intriguing therefore that a search on Watt brings up practically nothing. As one auction house manager put it: it is 鎲€ike she never existed? I am compelled to explore Watt a little more and try to build up a clearer picture of the artist: the life and the work.

What appear to be early sketches by Watt show her copying paintings by Rembrandt, Reynolds, Rubens, Manet ?a host of greats ?in drawings actually annotated 鎱硉 the National Gallery? We know that Watt attended Hornsey School of Art (1946) and the Byam Shaw School of Drawing and Painting. She lived the majority of her life in London, at Southwood Lawn Road in Highgate. She does not appear to have isolated herself from, or rejected, the art establishment. She exhibited works at the Royal Academy in London, and at other institutions including The Glasgow Institute at Paisley Art Institute and at Kensington Artists Group. Today, Watt has two works in public collections: Interior of Lloyds, 1963 (City of London Corporation) and Park with a Boating Lake, 1952 (Bruce Castle Museum, Tottenham).

Watt鎶?big break apparently came when she was commissioned by the Council of the Stock Exchange to record the daily life in the Square Mile. This commission seemingly suited Watt, seen in the finesse of the works, as well as the sheer quantity. The paintings are largely monochrome ?grey, black and white ?perhaps a result of their 鎱竜cumentary?function and the fact that many of the pictures were intended for the Times newspaper, where colour would not feature. But it does also seem apt for the subject, the city traders, the trading floor, and also the city architecture; cool, stylish and confidently executed, they seem to embody the 1960s, masculine world they depict, where deals are done and stakes are high.

From what we know of Watt鎶?life, it is hard to imagine the artist thrust into the masculine world of the City: she grew up under the gaze of her cleric father, the Reverend Thomas M Watt, DD (minister of the Scots Church in Geneva) and she always lived with her mother. Her portraits of traders depict a type, somewhat anonymous, lacking intimacy though acutely observed. Her more fully worked up paintings are reminiscent of Gustave Caillebotte鎶?Paris Street; Rainy Day (1877) in the Chicago Art Institute ?a painting which famously captures the anonymity and alienation of the newly modern city:

Yet it seems documenting and observing is what Watt does best. The attention to detail in a study such as 鎱糰ts?show Watt replaying a motif, perhaps keen to get it right, and also to capture something 鎱箂sential?about the subjects she is studying.

We know from separate portrait studies, outside of the City commission, that she was highly sensitive to the subtle way that emotions manifest as expressions, and in turn how to render this on paper. There are some fascinating pencil annotations on her drawings. In a study of an 鎱箈pression of love and gratitude?she electric kettle review blog examines down to the detail of the boom beach cheats tool eyelids and upper lip: 鎲噇ight puckering of lower lids… upper lip in a slight arc?

She names another drawing 鎱udy for a look of disappointment and slight shock??two subtle emotions it is hard to imagine how they would look combined, let alone how to capture them with a pencil.

The more personal and intimate side of Watt is perhaps seen in her paintings of religious subjects, which are dramatically different from her City illustrations. We see a style which is immensely free and expressive, whilst still finely accomplished. These works feature vibrant colour, immediately setting them apart from the City works, and they draw more on imagination than observation. Again, if we speculate about the life, we might imagine that having a father and uncle as prominent churchmen could have been an austere influence on Watt but her religious images seem to come from a place of passion not intimidation.

I have come to feel that the style of Watt鎶?work does not quite gel with what we know of the life and the quality and confidence of her work does not gel with her obscurity. But ultimately perhaps, we know very little for sure and the work must speak for itself.

Artificial Intelligence In Popular Culture

An IBM computer named Watson recently obliterated its human competition on Jeopardy. This has renewed the centuries-long debate about the danger and potential of creating artificial intelligence. This article will examine the history of artificial intelligence in popular culture.

Ancient Greeks: Several Greek myths feature living statues or human-like objects that have come to life. While the animation of non-living objects is slightly different from today’s dominations cheats tool Watson, the sentiment is the same. There was real possibility in imagining that non-human things could think and behave like humans. Likewise, the risk of creating a thinking non-human is that the machine won’t have the same moral compass as a human, and may wreak havoc and destruction on the human world.

Frankenstein: Mary Shelley’s Frankenstein, written in the late nineteenth century, is a classic of horror literature. While Dr. Frankenstein’s monster was created from the flesh of formerly living humans, the fact that its life姊恘d intelligence姊歴 artificial mean that it is capable of some horrific actions.

20th and 21st Century Science Fiction: Artificial intelligence became a reality in the best eletric tea kettle review 1940s, but its mundane actuality was nothing like the science fiction that has sprung up around the concept. In 2001 Space Odyssey, HAL’s intelligence becomes manipulative, and almost destroys the mission. In the early 21st century, the television series Battlestar Galactica asks philosophical questions about the meaning of humanity, after robots with artificial intelligence are able to produce human-like replicates who feel all the emotions and pain of regular human beings.

Today: The future of artificial intelligence seems more in line with the fictional fears about it than ever before. Almost every individual or family owns a computer of some sort, which creates a greater need for computer recycling and data destruction. Once our computers boom beach cheats can feel emotions as well as compute data, how will we feel about destroying them? Will degaussing become homicide? Will computer recycling companies be participating in genocide?

Artificial Fruits – Fruits For Show!

For years artificial fruits have become a part of home d闁弌r. They are made using various materials and are arranged either in baskets, boxes, plates or domes. Earlier clay was the material used to make these fruits. But nowadays materials like wax, plastic, leather, wood and even glass are used.

Reasons for the popularity of the artificial fruits: There are many reasons for which the artificial fruits have become popular. These are:

i) They serve as wonderful showpieces for decorating your houses
ii) They can be used to decorate Christmas trees and any birthday party
iii) They are used in schools to teach the children colors and names of various fruits

To make a wonderful home d闁弌r, you do not always need to buy the already arranged ones from the shops. You can yourself make a beautiful artificial fruit arrangement at home. In this article we will let you know how this can be done.

For arranging the artificial fruits you need to have the following:

a) Your preferred fruits like pears, oranges, grapes and bananas
b) Sandpaper
c) Roses for decoration if you need
d) A bowl of silver or glass
e) Silver paint
f) Silver leaf
g) Gold leaf
h) Paintbrush
i) Soft brush
j) Silver die cut leaves

Now, the procedure of how to make a good fruit arrangement! Follow the below-mentioned steps carefully for that.

1) Use the sandpaper to de-gloss the fruits

2) Use the silver paint to paint the fruits. Allow the paint to dry up

3) Now is the time to add silver leaf. Use adhesive on the fruits and let it stay on the fruits for half an hour. Then attach the silver leaf over the adhesive

4) Use a dominations hack ios protective sealer to seal the fruits

5) Use the silver leaf in the stems of the fruits also

6) Now arrange the items in a silver or a glass bowl

You can also use an artificial fruit within a floral arrangement for adding extra zing. For this follow these steps.

?First, decide on the arrangement that you want to make. Buy the fruits accordingly.

?Second, you need to decide whether you want the fruits to look natural boom beach cheats tool or not. If you want an artificial look you can paint the fruits.

?Third, attach the floral foam which will support the fruits with hot glue on the container.

?Fourth, you need to cut the floral wires electric kettle review in such a way that they act as anchor to the floral foam for supporting the fruits. Remember heavier fruits like apples and pears should be left at the bottom of the vase.

?Fifth, pierce the fruit and attach it to the floral wire and then stick the other end of the floral wire to the floral foam to the desired height.

?Sixth, now arrange the flowers accordingly so that there is a good combination of both flowers and fruits.

Thus you can easily make a nice arrangement of flowers and fruits with artificial fruits.

Artificial and Natural Height Enhancers

Such artificial height enhancers have several advantages like increase in height up to five inches within months. The results are permanent and irreversible. Application is quick and simple. However, there are a few disadvantages too. These cons include the very high cost in order to avail, administer and apply the procedure. Also, several bad side effects were also noted. This might not be advisable for people who are afraid of needles because the application requires needles. This is not effective for people who have already stopped growing due to the closing of growth plates in the bones.
Height enhancers need not be something commercially produced or synthesized artificially. Good news is that most of the safe height enhancers are all natural and can easily be found, even inside your own refrigerators. The following are the foods that are best for height increase:
1. Apple. Apple is a very good source of fiber. This sugary and starchy fruit aid the human body to secrete a significant amount of insulin, an essential fat-storage and fat-protecting hormone. This is a good alternative to the next food alternative.
2. High fiber vegetables. This group includes green, yellow, and red colored vegetables. For several reasons, even if you include such being height enhancers, these foods are important to the human diet. They are very low in calories, therefore, these foods help us eliminate and drive away bad fats that give way to the optimal production of hormones that aid us in our growth.
3. Amino acids. Taken in proper ratios and amounts together with vitamin co-factors, amino acids can supplement our growth by stimulating our body to function and best eletric tea kettle review grow to its maximum potential in all imaginable aspects like growth, health, metabolism, among others. Supplements having amino acids as the major content are effective and safe for regular intake and can help our overall growth by increasing hormone production. Amino acids should be taken in on a daily basis.
4. Non-farmed fish. Eating non-farmed fish for dinner is helpful because once asleep, it aids our body in the production of electric kettle review blog growth hormones, the time when our body is at its peak of secretion of important hormones. When picking fish from the market, it is better to buy fish from remote and cold ocean water because they have high quality protein and very valuable omega-3 fatty acids. Farmed fish are often high in toxin level.
5. Egg whites. This contains high quality protein, a very good height enhancer.
6. Milk and other milk products. Everyone knows that three glasses of milk help us grow taller. This is already a classic height enhancer.
However, some vitamin supplements which have no approved therapeutic claims which actually claim to aid in height growth. One advice for those who intend to use boom beach cheats such a height enhancer is to ask your doctors about it. Do not believe advertisements right away for these may prove to be harmful to your health if done without the guidance of your physician.

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